Early 90’s Dutch Doom/Death Metal gem gets re-issued, Trouble-esque sorrow & misery!
...It is the early 90’s, Death Metal’s finest years are celebrated, the genre is young, fresh and inventive. And the Dutch scene is reaching its pinnacle, one band after the other gets signed and releases classic albums. Together with the U.S.-scene, the U.K.-scene and the Swedish scene the Dutch reign supreme. And when everyone decides to go faster and more brutal, there is always the exception to go against the stream.
Enter Beyond Belief, from Kampen, the Netherlands. Started back in 1986, as a side project of Robbie Woning (Dead Head) and A.J. van Drenth (later active in Asphyx), now Extreme Cold Winter), and completed by Ronnie Vanderwey (Dead Head, ex-Asphyx) and Jacko Westendorp to become a slow, heavy and doomy band. Where old Death Metal and real Doom Metal (think Trouble and Candlemass) meet, and almost opposite to Dead Head’s aggressive, intense & fast Thrash approach.
In 1991 the “Remind the Skull” demo is released, followed by “Stranded” in 1992 and Beyond Beliefs causes waves in the underground. Not choosing the easy Death/Doom path, Beyond Belief chooses the Trouble kind of riffings as a foundation of their incredible Heavy sound. A foundation based on melancholy, melody, sadness and superb riffs! And adding an extra touch by incorporating an accordeon sound in small doses. Shark Records from Germany, known for its releases of Channel Zero, Massacra, Sepultura, Thanatos and Wehrmacht. sees the quality shine and offers BEYOND BELIEF a deal, and the pact is sealed.
In 1993 “Towards the Diabolical Experiment” is released, a true Masterpiece of Heaviness, Sadness and Depression. A stand out album that mixes Death Metal’s vocals and esthetics with Trouble’s Doom Metal guitars. Produced by Tim Buktu (a.o. Massacra, Gorefest, Protector) at T&T Studios it benefits from a timeless sound that is still relevant in 2016.
2016 sees the album faithfully restored in artwork and sound (remastered by Berthus Westerhuis who recorded and worked with Altar, God Dethroned, Severe Torture to name but a few) and as a first-timer on vinyl.
supported by 18 fans who also own “Towards The Diabolical Experiment”
On this album Burial Invocation craft a convincing mix of groovy riffs and sinister melodies. The atmosphere is oppressive and the songwriting is memorable. FFO: Blood Incantation & Tomb Mold Lagerbottoms
supported by 17 fans who also own “Towards The Diabolical Experiment”
This is doomy as fuck. When I first heard this, I remember thinking "Ehh...not as good as Blood Incantation. Pass..." which was a pretty huge mistake. Listened again recently and am now completely hooked on this record. Everything is just so goddamned heavy. Glad I decided to give this one another try. bcb723